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writed by Ethan Gross
USA, China
director James Gray
Duration 2h, 3 min
Audience score 161091 vote




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I have a summary for you. It’s the first rose ceremony of the movie and the drama is already ratcheted up! Two very different men – Blake and Dylan – have their hearts set on handing their rose to Hannah G., but who will offer it to her and will she accept?

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Euphoria centers on CDC researcher Abby Arcane. When she returns to her childhood home of Houma, Louisiana, in order to investigate a deadly swamp-borne virus, she develops a surprising bond with scientist Alec Holland — only to have him tragically taken from her. But as powerful forces descend on Houma, intent on exploiting the swamp’s mysterious properties for their own purposes, Abby will discover that the swamp holds mystical secrets, both horrifying and wondrous — and the potential love of her life may not be after all.

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So we get more space adventures, more original story material and more about what will make this 21st MCU movie different from the previous 20 MCU films.

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He is someone we don’t see happening. Still, Brie Larson’s resume is impressive. The actress has been playing on TV and film sets since she was 11 years old. One of those confused with Swedish player Alicia Vikander (Tomb Raider) won an Oscar in 2016. She was the first Marvel movie star with a female leader. And soon, he will play a CIA agent in a movies commissioned by Apple for his future platform. The movies he produced together.

Unknown to the general public in 2016, this “neighbor girl” won an Academy Award for best actress for her poignant appearance in the “Room”, the true story of a woman who was exiled with her child by predators. He had overtaken Cate Blanchett and Jennifer Lawrence, both of them had run out of statues, but also Charlotte Rampling and Saoirse Ronan.

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I know the positive reviewers would like others to believe that those that find the film boring are incapable of appreciating the deeper messages of the film or the high quality performances, but I can say personally, while recognizing and appreciating all of those things, I was still bored out of my mind. And I was also left wondering what genre they wanted this film to be. Drama, sci-fi thriller/horror, or action?
I caught the message in ‘Roy’s’ narration. ‘We’re world eaters.’ And I can appreciate Pitt’s extremely nuanced performances of the character’s emotional, psychological battles.
But Lordy, if this movie couldn’t decide what it was about and led me on a very dissatisfying cinematic journey. The problem isn’t a capacity for appreciating what they did right, it’s the film’s inability to tell a strong thematic tale.
And while this has no bearing on the rating for me, I felt the space scenery was nothing to scream about. The graphics were sophisticated, but someone compared it to Interstellar and that’s honestly absurd. Nothing captivating about it, just a convincing visual representation of space.
There was an excessive overuse of slow motion. So much so it was glaringly evident how much storytelling was wasted and abandoned in place of it. In addition to slow motion, the extremely slow pacing also hindered the ability to fill the film with sufficient story. So instead we got things like a short, reoccurring nondescript clip of a child staring in the distance, nothing to reveal or further along the narrative or the plot. Just a kid we assume is Roy from context. I kept expecting something more to unfold with each showing of the clip, but the clip was the same nothingness every time. They legit paid this kid’s parents and some unidentifiable woman to hold this kid for this shot. They did so much nothing in this clip, it could have just been a photo.
I don’t honestly understand why they paid to have Liv Tyler play a role that could have easily been performed by another capable non-A List actress. Her part in the film was extremely lackluster. She did her part with aplomb, but maybe if they’d saved what they spent on her check, as well as Donald Sutherland’s, they could have put more towards better story-driven efforts. Donald Sutherland’s character had even less to do with the tale and he eventually disappears from the film leaving me to question why was he even there to begin with, and why there was any focus on his character at all. Why not just be a supporting character, performed by someone less expensive, with less central focus, who escorts our leading man, offers a little glimpse into the mystery, and provides dialogue to build on the leading man’s arc? Also he was supposed to be protecting Roy, but he was an old and unhealthy man, who did nothing close to protecting him. How’d he get the job?
Essentially, so much of this film could have been done away space pirates had nothing to do with the mission to send a message and even less to do with the mission to stop Roy’s father. They’re mostly silent, action-oriented attack, didn’t present a hindrance at all to the Roy’s mission. Everyone else around him died by the end of the attack, but he still made his destination with no delay in his arrival. No injury or something to affect the events that followed. Not even the puncture in his suit.
The mayday mission was also pointless. They responded and found nothing but some savage wild animals. Captain was killed in what fit more into a sci-fi horror genre. Captain/Captain’s death bore no importance to the story, animal bore no weight to the story, that whole scene came and went with me asking, why’
The best I can surmise with these scenes is they wanted us to see how well our leading man could handle harried situations. But they took too much time with floating and internal lamenting and slow-paced space scenery. This could have been succinctly done in less time with more thematically connected scenarios.
The animal attack did not speak to the destructive tendencies of man, or our leading man’s emotional/psychological struggles, nor the plot.
Then this random new character spills the mystery behind his father in a very unceremonious/uneventful way. It felt forced. Again a character who was given either too much focus or not enough. It didn’t make sense for her to tell him the top-secret information behind his father, when her feelings about the man aligned with the government’s. They were planning to do exactly what she asked him to do. So why involve him at all? Her character also came and went.
All of the supporting characters in this film were treated as props and so it felt disjointed and convenient.
It made no sense for the mission team to attempt to kill Roy when he stowed away. Attempt to detain him, yes. But they were legit trying to kill him and, while he was stowing away, he was being peaceable and non-aggressive. So their deaths were honestly a head-scratcher, and quite frankly a bit too convenient.
I think the more powerful moments were indeed when Roy found his father and lost his father. That closure/non-closure experience was very relatable to me. He didn’t get to have the interaction he planned to have, but the interaction still gave him something to move on from.
I had a hard time believing that Roy would return home after disobeying orders, inadvertently but definitely causing the deaths of those three people on the ship he was unauthorized to board, and face zero consequences. Maybe they would have lessened the consequences since he did stop the surge that was killing earth, but no consequences whatsoever?
If the movie was meant to tell the story about a man lost and incapable of living and loving, that’s what it should have been about. And it didn’t need to be in the future, let alone in space, or have anything to do with stopping a psychotic space dad, with space pirates and killer space monkeys. It was just all over the place and unjustifiably slow.
The pacing and aesthetic of this film was reminiscent of Arrival and Gravity, but those movies are proof that this style and pacing doesn’t have to come at the sacrifice of story.
Brad Pitt was excellent, Tommy Lee Jones was excellent, Liv Tyler and Donald Sutherland were solid, if not left with very little to contribute.
But they each have an incredible catalog of films under their belts that showcase their abilities with a far more substantive degree of impact and entertainment.
So boring.


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So this emotionless whiny psykopath have to go to deep space to kill his dad in order for him to start apreciating life. br>
Jeesus christ, what a boring yet annoying drama. Worst movie ever. Listening to his voice with a blend of self pity and whiny grown baby makes me want to rip of my arm and beat him with it.
Dont waste your time…
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